it’s the SONday servUS
ON AIR · 24/7
GOSPEL WITHOUT A CLOCK

SONday servUS
Church roots. New rhythm.

Traditional praise, holy hip-hop, gospel R&B and exclusive SONday servUS mixes—curated by DJKP74.

▶ PRESS PLAY

The full SONday servUS rotation continues from one mix to the next.

THE ROTATION

Every lane.
One faith.

01

Ol’ Skool Praise

Choirs, quartets, hymns and the voices that built the sound.

02

New Style Gospel

Holy hip-hop, gospel R&B and music moving the culture forward.

03

SONdays Bridge

Traditional gospel vocals meet hip-hop production and the Word.

IT’S THE KNEW SONday servUS

Know the history.
Hear the evolution.

You know the music—but do you KNEW the history? Follow the surprising, documented journey of Black sacred music before Gospel had a name and after it became a worldwide sound.

01 THE ROOTS

Before Gospel Had a Name

West and Central African musical traditions met Black religious life under enslavement, shaping spirituals, Black hymns, jubilee singing, quartet traditions and Holiness-Pentecostal worship.

02 THE COLLISION

The “Devil’s Music” Enters Church

Blues feeling, new rhythms and instruments entered sacred music, meeting resistance before artists transformed those sounds into a bold Gospel language.

03 THE BREAKOUT

Then the Devil Gets WHOMPED!

Through Thomas A. Dorsey, Mahalia Jackson, Sister Rosetta Tharpe and many others, Gospel moved from sanctuaries to records, radio, concert halls and the world.

CULTURE COMIC · THE SOUND ACROSS GENERATIONS

From the circle
to the sanctuary
to the streets.

Four-panel illustrated journey from African community music and enslaved Black spiritual worship to early Gospel church music and a modern Gospel DJ with a multigenerational choir
01 African musical memory 02 Faith, survival and spirituals 03 Gospel takes shape 04 Church roots, new rhythm
RARE BLACK HISTORY · SEPTEMBER 6, 2026

The singers who helped save a university—and carried the spirituals worldwide.

Founded at Fisk University in 1871, the Fisk Jubilee Singers toured the United States and Europe performing the sacred songs created and preserved by enslaved Black communities. Their success raised money for Fisk and helped move African American spirituals from threatened oral traditions into concert halls and the wider historical record.

Why it matters: Their voices helped protect both a Black university and a musical foundation that would later feed Gospel, blues, jazz and American popular music.

Keep the servUS moving.

SONday servUS also broadcasts on CG93 Radio.